Helado Negro / FAR IN


Roberto Carlos Lange’s beautifully beatific Latinx pop-soul warms the cockles on his debut Helado Negro album for 4AD; a slow burn celebration of his South American heritage and nostalgia for the ’80s club music he grew up with.

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In loving pursuit of the style he’s developed over handfuls of albums for Asthmatic Kitty and more recently RVNG Intl., ‘Far In’ sees Helado Negro further burnish his rose-tinted sound with a sense of intimacy that stems from spending lots of time at home and getting deeper into his sound during lockdown. Referencing a “youth growing up in South Florida listening to 80s club songs, and their return sampled in 90s hip hop”, his 15 songs wash over one with the wooziest daydreaming quality, knitting languorous Latin rhythms to shimmering melodies in a way that, to our ears at least, somehow feel like christmas in a warm place, everything soft focus and lilting with a perennial familiarity that’s seductively disarming and effortlessly comforting.

Typically sung in his bilingual mix of Spanish and english, no matter which language he chooses, Lange’s music conveys the feeling clearly. In key with the notable refinements of his songwriting style over the past decade, ‘Far In’ reaches a new high watermark of classicism as he enters his 3rd decade of releases, nesting a melange of nods to Tropicália, Fleetwood Mac and Beck in his butter smooth transition from the strolling strums of ‘Wake Up Tomorrow’ with its harmonious vox by Bon Iver and Kid Cudi collaborator, Kacy Hill, thru to the glyding yacht rock disco of ‘Aureole’ and the gently insistent dreambop of ‘Outside the Outside’, with bucolic semi-acoustic magic in ‘Wind Conversations’ and Mazzy Star-like tristesse of ‘Thank You Forever.’

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