Jefre Cantu-Ledesma – Tracing Back the Radiance

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The quietly rapturous sublime of ‘Tracing Back The Radiance’ forms Jefre Cantu-Ledesma’s first new album since 2017 and a definitive entry to his golden catalogue.

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Leading on from the pop-tight arrangements of ‘On The Echoing Green’, Root-Strata founder Cantu-Ledesma is accompanied on a return to glorious, smudged, widescreen canvasses by esteemed members of the U.S. experimental firmament including Mary Lattimore (Harp), John Also Bennett (Flute), Jonathan Sielaff (Bass Clarinet) and Roger Tellier Craig, among others. In two floating, durational pieces, separated by a pealing five minute ambient flute arrangement, Cantu-Ledesma and pals remind us exactly why we’ve followed his work so intently all these years.

Always a sign of good things is the fact that by 2 minutes into opener ‘Palace Of Time’, we’re fighting the urge to shut eyes and push off, which may look a bit suss at 3pm in an office full of people. However, that’s what we and many others are probably hoping for, and it’s surely delivers as the 20 minute opener flows its course of silvery piano streaks and softened metallic resonances with the warmest sentiment. The intermediary ‘Joy’ is slightly sharper focussed, as though rubbing the ears lense to allow Sielaff’s bass clarinet break the murk in slow, flitting saccades, before ‘Tracing Back The Radiance’ resumes a form of serene sonic therapy with melting sounds and ear-nuzzling timbral complexities which, in turn, relax and harmonise the world around us and make everything more manageable, even if only temporarily.

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