Description
“After forming in San Francisco while working on the Marvin X theatre piece ‘The Resurrection of the Dead’, JuJu began to hone their uncompromising fusion of Afro-Latin rhythms with free and spiritual jazz before signing to Strata-East for the ‘A Message From Mozambique’ album in 1972. “We moved to New York and became part of the avant-garde community on the Lower East Side and Greenwich Village,” remembers bandleader Plunky Branch. Following a high profile live show at the Lincoln Center, Ornette Coleman invited JuJu to his gallery and loft at 131 Prince Street to perform there and to stay on while he left on tour. “That was life-changing for us,” continues Plunky.“It was fabulous.
The recordings you hear on this album are in close proximity to each other, maybe across one day or a weekend at the gallery. “Alongside tracks written by the JuJu band members, like the 5/4 tempo ‘At Least We Have A Horizon Now’, they play choice covers from their peers. Plunky explains, “‘Thembi’ is a Pharoah Sanders piece which he wrote for his wife in 1971 and it’s one of my favourite pieces by him. ‘Azucar Pa Ti’ was written by Eddie Palmieri; we loved him too and enjoyed Latin music in general. Here we play ‘Mozambique’, based on an Afro-Cuban rhythm and we regularly played that for 10 minutes before morphing into ‘Azucar’. ‘Out Of This World’, written by Johnny Mercer and Harold Arlen, was inspired by John Coltrane who recorded a version of it on his ‘Coltrane’ album in ’62.”
