British artist Jonathan Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, ‘Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.’
Few years ago Monk moved to Rome for a while with his family. In Rome he adopted a pleasant gastronomic routine: restaurants and pizzerias, alone or with friends, but most of all with his family. Once back home, between the name of the restaurant and the total of the bill, on top of all the various dishes consumed, the artist used a pencil, sometimes with watercolours, to reproduce the image of a work by another artist on the receipt or scrubby hand-written note. Clearly, the appropriationist approach which had characterised most of his work thus far also continued through this new life experience. This book collects One Hundred Meals between Rome and Berlin.
Jonathan Monk was born in Leicester in 1969 and lives and works in Berlin. He has a BFA from Leicester Polytechnic (1988) and an MFA from Glasgow School of Art (1991). Solo exhibitions include Kunsthaus Baselland, Muttenz, Switzerland (2016), Museo d’Arte Contemporanea di Roma, Rome, Italy (2015), Irish Museum of Modern Art (IMMA), Dublin, Ireland (2014), Centro De Arte Contemporáneo (CAC) Málaga, Spain (2013), Kunstraum Dornbirn, Austria (2013), Palais de Tokyo and Musee d’Art Moderne, Paris, France (2008), Kunstverein Hannover, Hannover, Germany (2006), Institute of Contemporary Art, London, UK (2005) and Museum Kunst Palest, Dusseldorf, Germany (2003). His work has been included in many group exhibitions, including the Whitney Biennial (2006), the 50th and 53rd Venice Biennales (2003, 2009), Berlin Biennale (2001) and Taipei Biennial (2000). He was awarded the Prix du Quartier Des Bains, Geneva in 2012.