Timber Rattle/ GHOST OR WHITE PAVILION

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Timber Rattle has always been mysterious and seclusive. In the past decade, the southwest Virginia-based music project has released an impressive number of cassettes, CD-Rs, LPs and digital-only recordings – sometimes overlapping with other monikers/projects that explore different depths of the same aural spectrum – yet they have managed to stay in the shadows, not prone to share more than necessary. This intimacy is also mirrored in the music: shamanic, meditative and personal, it takes inspiration from liturgical rites as well as pagan traditions, a murmured mantra to reach a deeper connection with nature, magic and spiritual matter.

The new Timber Rattle album, Ghost or white pavilion, continues on this very course, featuring a signature array of droning gothic organs, skeletal folk guitars and haunting chants, all carefully assembled and layered in two organic compositions which outline an allegorical journey, inward, to ourselves.

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An ominous feeling of reverence introduces a slow descent into a dark abyss: like an echo re-emerging from the past, a litany resounds in the empty spaces of forgotten churches, invoking the spirits of ancient cults to guide us on our pilgrimage. A mist, drenched in hypnotic visions, shrouds the path like a veil, while occult presences slither in the shadows. Determined to continue our journey, we may at last find a passage through that intangible fabric, a threshold to the unknown; beyond the phantom sheet, the inmost recesses of an arcane and mystical rite.

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